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CÚL OF THE ROCK


                               The Cúl of the Rock

                    Picturing the past by examining its images

                                   Seamus Hayden


          Introduction

          E
              arly  in  2014  I  set  myself  the  task  of  chronicling  the
              development of Greystones from a ‘noted fishing place’ to
              the  small  County  Wicklow  harbour  town  I  was  born  into
          almost a century and a half later. The ‘Cúl of the Rock’, I felt, was
          at the core of it. An almost forgotten place name at the time I first
          heard it from Dr Eric Doyle in 1956.

              In furtherance of this project I read everything I could readily
          get my hands on.  [1 - 5]  Most of all I scrutinised the seven books of
          old  photographs  and  documents  of  Greystones  and  its  north
          County  Wicklow  environs   [6-12]   published  by  fellow  Greystones
          man Derek Paine and his son Gary. I owned all seven. It was
          then my narrative came alive for me.

              Given  the  connection  with  Greystones  of  Robert  French,
          famous chief photographer of William Lawrence, it was natural
          that I also searched the digitised Lawrence Collections of the
          Photographic Archive in the National Library of Ireland.  [13]


              What  I  observed  was  that,  on  occasions,  original  scenes
          were  re-photographed  at  later  dates  while  still  retaining  their
          original  William  Lawrence  reference  numbers.  On  other
          admittedly  rare  occasions,  I  noticed  that  images  appeared  to
          have been deliberately flipped, or to have been represented as
          something else. The implication for my search was that I would
          need to be careful.
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